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      How to Create Portrait Lighting to Help Tell a Story

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Tagged Photo Compositing

Realistic Composite Final by Dave Cross

Realistic Composite Editing in Photoshop

Dave Cross
10/28/2016
Lighting Tips
12730
In part 1 of this 2 part series, Adobe Creative expert and photographer Dave Cross demonstrates how to use studio lighting for a composite image.

How to Light for a Flixel with James Schmelzer

Jim Schmelzer
12/02/2014
Lighting Tips
8600
A living photo, often called a Flixel, is a combination of a still image and of a short video. A Flixel is created by filming a short, high-quality video and editing within the Flixel Cinemagraph software.
Fixel Cinemagraph - Preproduction

Creating a Living Photo in Fixel’s Cinemagraph Pro

Team Westcott
09/29/2014
Lighting Tips
11222
Advancement in camera and editing technology have helped create a new form of imaging: animated portraiture. Animated portraits (also called living portraits or flixels) are the mesmerizing combination of...
Light Painting Final - Andrew Link

Light Painting with the Ice Light and Barndoors

Team Westcott
08/19/2014
Lighting Tips
12273
Commercial and editorial automotive photographer Andrew Link uses light painting often to create stunning composite images. Light painting is the technique of using very slow shutter speeds to capture...
Rick Nunn - Daydream Final

Behind-The-Scenes with Rick Nunn

Team Westcott
07/21/2014
Lighting Tips
7994
The following article is courtesy of English portrait photographer Rick Nunn.  She and I spent a few days at the cabin in the woods over the weekend.
Chris Garrison - Ice Light Painting 5

Light Painting for Amazing Automotive

Chris Garrison
01/09/2014
Lighting Tips
14475
I originally shot cars when I was coming up as a photographer, and I have wanted to shoot them more and more recently. When approached to do a Behind the scenes video about some of the commercial shots I was...
Rick Nunn's Goodbye Gravity

Behind-the-Scenes of Rick Nunn’s Goodbye Gravity Series

Team Westcott
12/17/2013
Lighting Tips
8832
This article on using the Apollo for creative lighting in a portrait is courtesy of photographer and designer Rick Nunn of Lincoln, England.
Sports Composite

Creating Sports Composite Portrait with Photo Key

Matt Hernandez
11/20/2013
Gear Guides, Lighting Tips
25895
Westcott Top Pro Matt Hernandez, who specializes in sports photography, uses Photo Key 6 to remove a green background for a sports composite.

Photo Booth Wedding Portraits using Green Screen

Dave Cross
10/11/2013
Lighting Tips
13136
Watch how Westcott Top Pro Elite Photographer Dave Cross creates fun photo booth portraits at a wedding using Westcott Green Screen and PhotoKey Pro Software.

Green Screen for Senior Portraits

Dave Cross
06/11/2013
Lighting Tips
10690
Westcott Top Pro Elite photographer Dave Cross explains how to make high school seniors more interesting with the Power of Green Screen.
Dave Cross – Childrens Portraits with Green Screen by .

Creative Childrens Portraits with Green Screen

Dave Cross
06/06/2013
Lighting Tips
13591
Top Pro Dave Cross shows the ease of doing childrens portraits using Photo Key 5 software. With the use of features like the Hot Folder, Photo Key 5 makes Green Screen quick and efficient.

Speedlite Photos for Graduation Photos

Erin Manning
03/08/2013
Lighting Tips
8473
Top Pro Erin Manning from Los Angeles, California uses a and the to create fun Graduation Party photos using a single speedlite.

Building the Dramatic Portrait

Joel Grimes
09/28/2012
Lighting Tips
9387
Westcott invites you to an inspirational lecture with Joel Grimes, a commercial advertising photographer, who has been working in the industry for over 30 years.

Lighting Rumours: X-Drop Backdrop Review

Team Westcott
08/31/2012
Lighting Tips, Reviews
9745
The X-Drop Backdrop System was recently featured on Lighting Rumours. Bruce Foster, photographer out of the UK, reviewed the X-Drop with the Green Screen backdrop.
Composite Photography with the TD6

Composite Photography Lit by the Spiderlite TD6

Team Westcott
08/02/2012
Lighting Tips
7480
In this composite of a mountain biker in Boulder, Colorado, Mark S. Johnson's goal was to capture the feeling of hopping off the bike after an epic (and muddy) ride.

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