5 Ways to Use the Scrim Jim DP Kit
Featuring a unique and customizable design, provides the ultimate light control for on-the-go filmmakers, directors of photography, run-and-gun shooters, gaffers, and cinematographers. The DP Kit was developed...
Parabolic Modifiers vs. Traditional Octabanks
This article is courtesy of Santa Barbara-based photography educator Tim Meyer.
True parabolic modifiers reflect light from a single point into parallel or collimated beams of light. The question is how this...
Controlling the Sun with the Omega Reflector
I was recently in the south of France teaching a workshop to a group of professional photographers. I prepared a class about shooting in natural light and controlling the Sun. This is the best way to understand...
Softening Sunlight with Collapsible Diffusers
In this article, world-renowned photographer Jerry Ghionis demonstrates cool ways to use the inner diffuser panel of the recently redesigned . This panel is an essential tool when shooting outdoors to diffuse h...
Using the Omega Reflector as a Shoot-Through
The Omega Reflector is the world’s first 10-in-1 shoot-through reflector. The 38" x 45" Omega Reflector combines the effect of a traditional reflector with the luxury of a beauty dish and a ring flash. This inn...
How to Assemble the Westcott Eyelighter
Brandon Heiss, lighting educator with Team Westcott, discusses how to assemble the Westcott Eyelighter in this gear guide.
The Westcott Eyelighter comes disassembled in its compact travel case. This includes...
The History of the Eyelighter with Larry Peters
Westcott, an industry-leading innovator of photo and video lighting products, teamed with photographer Larry Peters in early 2014 to pioneer a unique tool for portrait photography. The Eyelighter, designed by P...
Understanding a Beauty Dish
Westcott creates a vast amount of products for photographers of all varieties. One of the most versatile products for speedlite shooters is our . The Rapid Box series is a compact light modifier (measuring und...
Bob Davis on the ProGrip Speedlite Handle
Westcott Top Pro Elite photographer Bob Davis discusses the use of the new ProGrip Speedlite Handle in this video tutorial. An avid speedlite shooter, Bob is an expert in creating beautiful images with off-came...
Zeppelin Deep Parabolic: Assembly Tips
Team Westcott walks photographers through the assembly process of the latest large modifier in this product how-to video.
The Zeppelin Deep Parabolic softbox series is an essential item for commercial, fashi...
Erik Valind Showcases The Scrim Jim
In this video, photographer Erik Valind discusses the many uses of the Westcott Scrim Jim. Shooting mainly outdoor lifestyle portraits, Erik finds the Scrim Jim to be one of the most versatile tools in his phot...
Creating Sports Composite Portrait with Photo Key
Westcott Top Pro Matt Hernandez, who specializes in sports photography, uses Photo Key 6 to remove a green background for a sports composite. Watch how Matt sets up his lighting for this green screen image, an...
Quick Tip: How to Fold a Reflector
This video tip features Brandon from Westcott and it shows two easy methods on how to fold a reflector. The first method Brandon will show is referred to as the "Twist" and this is done by taking the reflector ...
Comparing Large vs. Small Photo Umbrellas
Photographic umbrellas come in so many sizes nowadays, perhaps even more so than the common rain variety. Let's set aside those and the for a moment and discuss some key differences and techniques, when select...
Using Shoot-Through Photo Umbrellas
Umbrella are a quick and easy - not to mention affordable - way to produce soft light. One of the main differences between an umbrella and a softbox though, is their ability to control where that soft light spills. Or more precisely where the light goes and where it doesn't. Lets walk through a couple different kinds of umbrellas and what kind of spill you can expect when using each.